No time to demolish
The refurbishment and infill of existing social housing, as an alternative to its demolition and reconstruction, presents a fast and scalable way of providing housing while achieving better social, economic, and environmental outcomes.
Apartment as home
The majority of buildings in our cities are our homes, and for an increasing number of Australians, these are apartments.
Coastal resilience
The coast is an iconic and highly-valued landscape in Australia. It’s one of our most productive and abundant places environmentally, culturally and economically.
Resilience, health, and equity
Architecture has the potential to contribute positively over the next few decades as humanity adapts to the changing world we have co-created. While the resilience of our current building stock is poor, we have an opportunity to improve it and create new buildings that are appropriately resilient to the future we face.
Leave no-one behind in 2023
With its Leave No One Behind sustainable futures theme and the aim “to make architecture a central tool in achieving the UN17 Sustainable Development Goals”, the July 2-6 Union of International Architects Congress (UIA23) in Copenhagen brought the importance, and the potential of the goals to the attention of practitioners, educators and students from around the world.
Sydney Metro Northwest: Hassell, McGregor Westlake Architecture and Turpin + Crawford Studio
Colour – saturated, translucent and diaphanous – was a founding framework for the Sydney Metro Northwest artwork.
The Nicholson Galleries: Studio plus three
Located at the University of Sydney’s Chau Chak Wing Museum, the Nicholson Galleries are home to the university’s collection of antiquities from three ancient cultures: Egypt, Greece and Rome. When our studio was commissioned to design these galleries, the conceptual starting point was materiality; specifically, the way that material and tectonic culture helps to locate us in time and place.
The materiality of Jonathan Jones
As with many of Jonathan Jones’ works, untitled (maraong manaóuwi) in the forecourt of the Hyde Park Barracks draws upon layers of deep research, symbolism and culture to speak to the history of this place. This artwork particularly teaches us to have reverence and thoughtfulness in the way we use materials.
Off-cut kitchen
Held to the whim of rapidly changing trends, it is not uncommon to find kitchens barely five years old discarded or stripped from homes. In 2018, 78% of home improvements were for kitchen renovations, (according to the Home Builders Association). Off-cut kitchen is a physical manifestation of our local deconstruction and reuse network. While there are endless examples of aesthetic experimentation within the architectural interior, the materials are almost always the same, melamine, MDF, veneer and natural stone. Our question became, how can we construct a kitchen using only materials destined for landfill?
Opportunities for practice
The last three years have seen architectural practice grapple with internal and external issues that we’ve not faced in several generations, if ever. However, a recent roundtable discussion with a number of practices suggests the dark days of the pandemic may have been the prelude to a period of positivity for the profession.
