TERRACE HOUSE MIRAGE | ALCAMI ARCHITECTURE

The walls of this gem hold 150 years of stories frozen in time, now meticulously restored. Unfolding a narrative that defies spatial limits says Victor Alcami, Director of Alcami Architecture.

The fully openable ground floor with sliding panels transforms into an open space haven. A visionary design with outdoor elements inspired by Mediterranean vernacular architecture infuse cultural nostalgia, while elevated mirrors expand the space with an infinite perspective.

A love letter to Victorian terraces, the operable courtyard, a symphony of custom design, breaths fresh air. Sunlight dances, highlighting the natural finishes, while a vibrant orange bathroom promises indulgent selfcare. Sustainability whispers through repurposed materials and repaired walls, ensuring longevity.

Metallic finishes echo Chippendale’s industrial heartbeat, blending Modernism, Japanese seduction, and reminiscences from European interior design. Alcami’s style resonates with transitional mystery, offering an aspirational escape through art and architecture, inviting a desire for more tales from this poetic design journey.

The Friends’ School Redevelopment Project | Bence Mulcahy with H2o Architects

The Friends’ School Major Redevelopment Project included, a gymnasium, adaption of the WN Oats Centre, site accessibility/safety improvements, a major substation, North Block repairs and new outdoor courts.

Approaches driving the project included the establishment of precincts within the campus, small strategic interventions to improve site accessibility and safety, utilisation/adaption of existing buildings, and Quaker values, simplicity, community and environmental stewardship.

Key projects are the WN Oats Centre refurbishment and the Revell Sports Centre.

The WN Oats Centre was adapted to accommodate x7 GLAs, specialist spaces, breakouts, offices, student/staff amenities in a light, robust, flexible and engaging environment.

The Revell Centre includes a gymnasium, offices, community/student amenities and x2 GLAs. Moderated by domestic scaled additions and street level detailing, its scale and siting draws from Carr Street precedents. Setbacks and landscaping tie the building into the campus, and materials strike the balance between utility and context.

Stewart | SSdH

‘Stewart’ celebrates the 1970s brown, brick–veneer, Brunswick house – a quintessential element of Melbourne’s built character that defines a period within Australia’s recent history but is yet to be recognised as having heritage value.

The employed strategy focuses on a combination of new elements and light touch design interventions to provide significant impact. Internally, an intentional blending of new and existing conditions leaves viewers questioning where interventions begin and end.

This approach not only preserves the architectural significance and character but also considers the economic and environmental impact, proving that minimal intervention is a valid response in today’s climate. The success of the project opens doors for others by demonstrating the accessibility of thoughtful architecture. This impact extends beyond the immediate project – it begins to shape the potential future of surrounding suburbs as they evolve, recognising that their inherent value and ongoing contribution to our city is worth protecting.

Stradbroke Primary School – Early Learning Hub | Das Studio

Located adjacent Morialta Conservation Park in Rostrevor, Stradbroke Primary School incorporates Walker Learning principles to offer an inquiry-based, transdisciplinary, student-centred curriculum. The project brief sought to replace an aged building with learning spaces and nature play for Stradbroke’s Reception students, to align facilities with the forward-thinking pedagogical approach of the School.

Prioritisation of the direct learning outcomes of built form result in a building that acts as a beacon for the possibilities of curiosity, inquiry and play whilst simultaneously connecting to the surrounding built and natural environments in a manner that feels of its place. Siting, planning and materiality all contribute equally to this outcome.

A collaborative relationship between the design team, client and key stakeholders and a creative approach to project problem solving unlocked value that allowed for refurbishment works to adjacent Year 1 spaces, creating an Early Learning Hub for the School that equitably connects the junior cohort.

Square House | Mather Architecture

Square House is an elevated late 60’s modernist home situated on a steeply sloping block in Farrer. The aim was to minimise the impact of any additions on the natural environment by creating very minimal extensions that interrupt the perfect square, with a total of 16m2 added to the floor plan. The first ‘pop out’ for the kitchen area adds space under the existing roofline, while the second, projects further out than the existing roofline, utilising the continuous roof through–to–wall properties of longline cladding to create a neat insertion.

New cedar windows provide material warmth and contrast the simple lines of the exterior cladding. Sunshade shrouds on windows to the north and west were added along with stained timber battened garage door, front balustrade, dividing screen, and feature sliding panel. These elements connect the mid–century house with the client’s love of Japanese architecture. The result is a calm, light–filled home

St Barbara Square Kalgoorlie Central Canopy | iredale pedersen hook architects with ASPECT Studios, ETC Solutions and Terpkos Engineering

St Barbara Square Kalgoorlie transforms rear laneway service and adjacent space into a new “Kalgoorlie Heart”. Kurturtu is a highly activated public space, that pulses with the energy of the region and community, offering facilities and new experiences for all people. The new design carefully stitches together existing access points while weaving in new city connections. This is bound by a collection of site and city specific narratives that reveal the unique qualities of Kalgoorlie – Boulder.

Conceptually, the square brings to the surface the ancient geological formations. The central canopy becomes a place of destination, water becomes a catalyst for play, meeting, and gathering. The central canopy titled; “Hovering Earth” is the lifting of earth to reveal “what lies below”. A golden seam and perforated contours hover precariously above creating awe and delight; sound, misting and lighting activate and invite one to participate and become part of this spectacle.

St Peter’s College Big Quad Rejuvenation | Matthews Architects

Learning is always a process of change, and when we are young it is a process of growing and growing up. This new era of the Big Quad precinct has been shaped to support young people who are going through such changes. The design embraces them within a history and a present that they are a living part of, reminding them that there are futures to be valued and stories to be written. Each space captures the movement of light throughout the day and across seasons, the shifting of the living environment around them and celebrates the passage of time. In this way the design celebrates the continuity of human experience and the valuable connection between past, present and futures.

South East Centre for Contemporary Art (SECCA) | Sibling Architecture

The South East Centre for Contemporary Art (SECCA) in Bega, has undergone a significant transformation. This revitalization solidifies Bega as a vibrant cultural destination, aligning with SECCA’s vision to strengthen ties between the local community and the global arts scene. Co-located with the library, council offices and civic centre; SECCA emerges as the cultural heart of the town. Its expansion, encompassing over 500 sqm, includes diverse exhibition spaces, upgrade to amenities and services enabling it to host anything from prestigious touring shows to beloved community arts groups.

The main gallery has been transformed in volume with a new roof structure and high window voids. The former council chambers are adapted into additional exhibition and project spaces and connect seamlessly with the rest of the civic precinct. A new facade and window vitrines extend the gallery’s influence into the surrounding town, fostering a stronger connection with the community and surrounding landscape.

River View House | Studio Heim

River View House, a long linear design, takes advantage of expansive views to the Molonglo River corridor and across to the Arboretum. Unlike its neighbours, who demand attention through excessiveness and scale, the house is quiet and humble through it’s low–line single storey form made from neutral earthy materials.
The form comprises a simple skillion roof which kicks up to the north to take in winter sun to warm the house. Shading devices protect it from the summer sun. Brickwork and textured pre coloured fc cladding have been used as a response to a client request for low maintenance.
River View House is subtle and subdued in an area that has been built up to the boundaries. Its connection to site, thoughtful planning, and practical design following simplistic principles, is a testament to the fact that even in later stages of life, one can still have the great Australian dream.

Patrick Street | Andrew Campbell and Georgina Russell

The Patrick Street project involved a series of interventions in a c.1880 heritage listed terrace house in Hobart. The brief to contain the program within the existing envelope prompted a design approach of discrete ‘moves’ that sought to unlock the plan and provide broad functional amenity seemingly by doing as little as possible. These moves involved the reconciliation of routes and rooms, introducing new insertions designed as buildings in miniature, and functional double moves where a single design move responds to more than one functional requirement. Material selections were informed by the heritage response, with new and modified openings and thresholds constructed from steel serving as a contemporary language counterpoint to the existing masonry and timer fabric. The detailing of the new insertions was approached as an exercise in the use of plywood, standard timber sections and off-the-shelf mouldings as a method for developing a distinct language across the scheme.

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