Queensland
Brisbane
In 2019, The University of Queensland (UQ) purchased the state heritage listed building, 308 Queen Street and its 2008 tower extension. The scheme establishes a distinctive, state-of-the art learning environment through the through the conversion of the historic bank and modern commercial tower, providing new settings for postgraduate students within the Architecture and Business Schools, alongside a hub for UQ alumni.
Three key space types were identified: Teaching Suites, Creative Suites, and a series of unique Engagement Spaces. Collectively they provide both informal and formal teaching and learning environments at varying scales, from individual to group and large format.
On the ground floor, ‘The Atrium’ is the key Engagement space and is the building’s heart, hosting alumni events and fostering social life. It is defined by two key spaces: the Main Lounge and the Long Room. The Long Room provides a welcoming space for individuals to work independently or collaboratively, while the Main Lounge offers a premium environment for networking, casual work, and events.
Well suited to the large, open floor plates of the tower, the Teaching Suites are highly functional and flexible spaces, designed as a platform to support various schools of the University, and teaching modes. Each floor of the tower shares a common planning approach, and by collecting all teaching spaces an efficient and consistent execution can be achieved. Varying in scale and AV-capability, smaller scale, intimate and bookable Creative Suites support the Teaching Suites for 6-person working groups to break out to, or small-scale industry seminars.
The public realm connecting the various suites is rich in texture, colour, and delight, and provides settings that promote conversations and knowledge sharing. These social spaces also support the suites for events and conferences.
A floor-based servicing strategy was adopted to minimise intervention with the heritage fabric, and an associative approach to material selections celebrates the stories of the buildings. Acknowledging the need for modern amenity and technology for a 21st century teaching and learning environment, a series of contemporary metalwork insertions throughout provide conditioned air, AV, power, data, whiteboards, and lighting.
The insertions are bronze & brass, making reference to the highly significant and identifiable dome. Bronze elements are structural, hardworking, and functional, while more decorative, ornate, and tactile elements are brass, just as in the dome. Floor inlays, bespoke furniture pieces and rug patterning are also informed by the dome’s geometry and Maltese Cross motifs.
Historically, Araucaria Cunninghamii, or ‘Hoop Pine’, were said to “tower into the sky” on this site. The cones became prompts for the design of custom lighting, with reference made through perforated shrouds of streetlights, lamps, and pendants. These feature lights are supported by purpose designed task lighting and ample natural light which floods into the rooms through large windows and glazed facades.
Award for Educational Architecture
The UQ Brisbane City project represents a seamless marriage of modernity and heritage, offering versatile collaboration spaces designed for alumni engagement and industry networking. Optimising settings for presentations, meetings, and workshops, it employs strategic spatial arrangements and meticulous detailing to foster connection and learning. In doing so, it enriches UQ’s brand of innovation and leadership, setting a new standard for academic environments.
Commendation for Interior Architecture
A highly considered insertion into both heritage and modern office building fabric, UQ Brisbane City carefully responds to the heritage character of the National Bank building. Bespoke furniture, lighting, and building services elements are all informed by existing building materials and motifs, while the tower interiors favour flexibility of spatial use and finely detailed partitions and cabinetry elements. The teaching, creative, and engagement spaces are playful in their use of colour and material detailing, making an engaging environment for formal and informal interaction between students, teaching staff, and alumni.
Educational Architecture
Brian Donovan, Project Principal
Amanda Robinson, Project Architect
Charlotte Canning, Project Architect
Lucas Leo, Team Member
Anna Berger, Team Member
Virginia Querol, Team Member
Michelle Rehn, Team Member
Interior Architecture
Brian Donovan, Project Principal
James Du Plessis, Project Director
Charlotte Canning, Project Architect
Lucas Leo, Team Member
Anna Berger, Team Member
Virginia Querol, Team Member
Michelle Rehn, Team Member
NDY, Mechanical, Electrical, Hydraulics, Dry & Wet Fire
Form Commercial Group, Joiner and Metalworker
Conrad Gargett Architectus, Heritage Architect
Savills, Superintendent
Gleeds, Quantity Surveyor
Certis, Certifier
Webb, Specialist Lighting
EnergyPro, Electrical Sub-contractor
Freddy’s Painters, Heritage Painter Sub-contractor
Citibuild, Partitions Sub-contractor
Bligh Tanner, Structure
ADG, Structure
ANV, Acoustic Consultant
Milliken, Custom Carpet Manufacturer
Intralux, Lighting Manufacturer
The Australian Institute of Architects acknowledges First Nations peoples as the Traditional Custodians of the lands, waters, and skies of the continent now called Australia.
We express our gratitude to their Elders and Knowledge Holders whose wisdom, actions and knowledge have kept culture alive.
We recognise First Nations peoples as the first architects and builders. We appreciate their continuing work on Country from pre-invasion times to contemporary First Nations architects, and respect their rights to continue to care for Country.