Yagan Square is a cross cultural collaboration-built project, that extends the Perth CBD into a cultural hub. It is a community space and remains a traditional meeting place for the Whadjuk people. The project is a type of urban ecological repair, both physical and cultural.

Wunggurrwil Dhurrung is a built project. It is an Aboriginal community centre in Wyndham Vale that serves the community.

wukalina walk is Palawa owned and operated cultural experience in Northeast Lutruwita/Tasmania. The walk shares Country, culture, community and language. The area designed is a gathering and resting area within this walk.

The Women’s Safety Services of Central Australia Shelter in Alice Springs provides crisis accommodation for women and their children who are experiencing domestic violence, offering safe respite, restoration of dignity and respect to those finding themselves in need of its shelter.

Walanga Wingara Mura Design Principles (Walanga Design Principles) is a document published by the University of Sydney. The purpose of the Walanga Design Principles is to provide guidance on how to incorporate Aboriginal and Torres Strait Islander cultures, world views and practices into the University. The document serves as a guide to those who are involved in realising the University’s aspirations in physical design, as well as in scholarship.

Wilcannia Health Service is a built project that consisted of redeveloping the hospital. This included additions to benefit the health needs of community in consultation with the community.

A built project, the West Kimberley Regional Prison, the first culturally appropriate Indigenous prison. Designed in consultation with Kimberly Elders.

Walumba Elders Centre is a disaster relief response-built project. The Elders Centre provides private accommodation and multiple levels of care to residents as well as public community and cultural spaces.

A written document published by the University of Sydney. The document informs how institutions belong to Country and how they should approach designing and building on Country by outlining the principles three directives: Engaged Enquiry, Community of Practice and Mutual Accountability.

The built project, Boola Bardip is a museum in Perth’s renewed cultural centre. Created in collaboration with Aboriginal Advisory Group and Whadjuk Elders, it is a significant public space for history, culture and community.

UMCycle Bike Kiosk and Cycle Plaza opened in 2017 and is located at the University of Manitoba’s Fort Garry campus, Canada. The built project forms an active transport hub and serves as a campus landmark, linking to The Great Trail. The UMCycle Bike Kiosk was also the first project at the university to incorporate the Indigenous Planning and Design Principles.

Uluru-Kata Tjuta is a built project and cultural centre. It’s built sustainability, emphasising a responsibility to the environment and as a celebration of Anangu culture.

This written document is the Tweed Shire Council Aboriginal Cultural Heritage Management Plan. It includes an acknowledgement of Traditional Custodians and a Statement of Commitment to people, culture and Country. The document also includes a breakdown of the Aboriginal Heritage Management aims, plans, recommendations and community consultation.

An Audio-visual discussing the way Indigeneity and Gender intersect and advocacy groups and how they work alongside First Nations Peoples. This discussion takes place between Sarah Lynn Rees (Palawa) and Carroll Go-Sam (Dyirbal bama) at Melbourne School of Design.

The University of Sydney, digitally published thesis discusses the need for more in-depth conversations that encompass conceptual frameworks relevant to First Nations cultures and presents the qualities of a Third Space. Further, it discusses that it can inform ways of thinking that link architecture and cross-cultural engagement with placemaking in contemporary settings, deep time living practices and colonial interventions on the Australian continent between beings. Focusing primarily on reciprocity in thinking—giving back—and how it informs more nuanced and inclusive approaches to architecture and placemaking as always becoming part of Country.

The (Re)Indigenisation of Space: Weaving narratives of resistance to embed Nura [Country] in design is a doctoral thesis written by Danièle Hromek and published by the University of Technology Sydney in 2019. This thesis considers Aboriginal peoples’ comprehension of space, exploring spatial reclamation and lived experiences of space to reveal connections between Country, people and practice.

Te Ara Kotahi (our Māori Strategy) is a written document for Waka Kotahi NZ Transport Agency. The document provides strategic direction on how Waka Kotahi NZ Transport Agency plans to work with and respond to Māori as the Crown’s Treaty partner. The purpose is to work with Māori to build strong, meaningful and enduring relationships to achieve mutually beneficial outcomes. The Strategy document includes their objectives, their vision and an action plan.

Te Ara Kotahi (Our Māori Strategy) is a published document by Waka Kotahi NZ Transport Agency with purpose of working with Māori and other agencies to achieve mutually beneficial outcomes. Te Ara Kotahi provides an overarching strategic framework combined with cultural context, land management and legislation.

The built project, Synapse Warner Street is a part of the Supported Accommodation Innovation Fund. The facility is supported accommodation for people with acquired brain injury. Methodology of designs for the site focused on idea of reconnecting to Country through stimulation of colours textures and smells.

Stolen Generations Marker, Remember Me, by Kamilaroi artist Reko Rennie is a permanent tribute to the Stolen Generations. The built project is situated on an important Aboriginal meeting place the project was guided by the Stolen Generations Marker Steering Group. Remember Me is an expression of cultural resilience, identity and connection to land and culture.

This garden was co-designed by members of the Local Indigenous Community. The space features diverse plants with focus on Sydney Region species and reinvigoration of cultural cultivation practices. The built project also creates habitat for both people and wildlife.

A written research report about cultural engagement in Australia’s built environment. The report focuses on adapting the way processes are used to design built environments to include community, culture and Country.

Reflections is one of the permanent gallery spaces a part of the Western Australian Museum, Boola Bardip (Many Stories). The space holds a diverse range of subject areas, highlighting personal stories of being a Western Australian including those of First Australians. The space holds structures that showcase the collection and many stories while highlighting the heritage space of the Jubilee building.

The PAMS Newman Clinic is a built project that opened in 2020. It is the first primary healthcare clinic facility to be built in Newman. Following the vision of the Nyiyaparli and Martu Peoples, the Newman Clinic gives Aboriginal people access to community controlled and culturally appropriate health services.

Planning Connects is a video recorded webinar from 2019 that explores Designing with Country. The presenters are Principal Architect for GNSW Dillon Kombumerri and Spatial Designer Daniele Hromek.

The Paleert Tjaara Dja, Let’s make Country good together 2020-2030 – Wadawurrung Country Plan is a documented plan that articulates how Wadawurrung see Country being cared for and managed over the next 10 years. The document includes information on Wadwurrung Country and culture. It serves as a resource providing principles, the Country plan, values, threats, programs and strategies.

Our Voices: Indigeneity and Architecture is a book published by ORO Editions in 2018. The book offers multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors explore the making and keeping of places and spaces which are informed by indigenous values and identities. This indigenous expertise combines both architecture and design with a frame of reference that roots this architecture in the indigenous places in which it sits.

Our Voices II: the DE-colonial Project is a book published by ORO Editions in 2021. The book showcases decolonizing projects which work to de-stable and disquiet colonial-built environments. It discusses the disregard and appropriation of Indigenous places, values and identities and how Indigenous people continue to be gentrified out of places and discussions they belong.

Origins is one of the permanent gallery spaces that are a part of the Western Australian Museum, Boola Bardip (Many Stories). The Origins gallery explores the relationship between people, space, place and time and draws inspiration from the ancient landscapes of Western Australia. It draws on landforms on Country, Indigenous knowledge and utilises shape, texture, colour and light to transform the space.

Not an Expert is video recorded online discussion about Cultural Authority and collaboration with Danièle Hromek and Francoise Lane, convened by Sarah Lynn Rees as part of the Asia Pacific Architecture Festival. The discussion focuses on Aboriginal and Torres Strait Islander Cultural Authority in the built environment, acknowledging Indigenous and Western views are not aligned within the architectural process. It further discusses Cultural Authority in practice and within communities.